For anyone wanting to Dub at home, these Stem Packs are ideal. They're a great way to get started & hone your Dubbing skills!
Stems from our classic tracks Spiritual Healing (Ft Johnny Clarke), Lets Live In Love (Ft Horace Andy) & Sensi Skank (Ft Ruben Da Silva). All include vocals.
Stem Pack contains 19 x 44.1K Wav stems, including Drums, Bass, Keys, Horns, Vocals, picked guitar, percussion etc
Stems Are supplied dry (without effects) enabling you to add your own effects & create your own cosmic soundscapes
Tracks are complete arrangements ready to dub
Can be used to create Dub Mixes & Remixes, live or at home & for social media
For educational & recreational purposes only
TOP TIP: Here at Reggae Roast, we love to use Benidub effects units when making Dubs. Benidub have a range of desktop effect units including Delay, Reverb & the best Dub Sirens in the world. Use them to create cosmic soundscapes with that authentic Dub sound. The possibilities are endless!
All copyright of these stems is held by Reggae Roast.
Commercially releasing, or profiting from any recordings you have made using these stems is prohibited. This stem pack is designed as an educational and recreational tool for people to experience the endless possibilities of dubbing.
You can remix these stems for fun at home and for use in live performance to an audiences. You can also post videos and music made with these stems for non-commercial distribution on the internet. This means you can, for example, post videos on YouTube or social media of remixes or live dubbing using the stems, but you cannot then monetise these videos with commercial releases, ads or paywalls. You should also credit Reggae Roast as creator of these stems, with a link to this website or a @reggaeroast tag.
If you want to use these stems for commercial purposes beyond this scope of education and fun, you should ask for permission by contacting us via the contact form on this website. We may then arrange a special licence for you.
The Faya rig has changed soundystem culture forever...
The new Faya Sound has revolutionised Sound System culture……. It Sounds beautiful with both digital & analogue input. It fits in a car and one man can assemble it and operate it. The barriers to entry for sound system culture spreading have always been transport and storage. To run a sound you need a lock up and a van. People can’t really afford those things on top of paying for the sound……Faya Sound has changed all that forever.
These little adaptors are great. They look beautiful and are very functional. Do NOT underestimate their size. They've actually got a lot more weight than you'd think. Not only a very handy adaptor but a good turntable weight too. They make your vinyl sound heavy heavy heavy!
Nothing packs as much punch with such a small footprint!
It’s amazing. It has a level of transient detail, separation, speed and responsiveness that is leaps and bounds ahead of most ‘reggae friendly’ sound system units. The driver and cab combinations are meticulously paired and engineered to get the most out of their relationship. It has enough accuracy to work as a stereo pair left and right of a stage and have a band engineered through it. It has a studio like quality to its sound. Although very weighty bass, it lacks slightly in the lowest notes, so would not work so well for extremely low digi basslines or for other genres like dubstep that rely on the 30hz range.
That said, it would still work well, it’s just better on basslines in higher octaves. It could play lower frquencies the more scoops that are coupled together. Its portability is insane (although I only carried the neo version) even ferrite would still be ok if people were on lower budget. Setup and pack down are a breeze, the system stacks amazingly due to the locking stacking system, both keeps the stack secure and ensures that the boxes are positioned correctly according to the alignment presets that are provided with the rig or pre-loaded in the DSP (if you buy with amp). The finishing is very good and the custom grills are a beautiful touch.
In the test run we had noise complaints almost immediately, which proved the bass was weighty, but more importantly, I told the team that with a low volume I might cut my set short because it would be hard to hold the energy for the 3 hours I was scheduled to do the live mix, but as soon as I started, the level of detail and clarity was so much fun to play on I played all the way through and was able to be unusually creative in my mixes because I could actually hear myself in the full context of the space for once.
Overall I think this product will fundamentally change the game!
